CALL ME BACK - SHORT
DORITOS - FOR THE BOLD IN EVERYONE
FORWARD TRUST - EVERYBODY KNOWS SOMEBODY
ADOBE - STATE OF CREATIVITY
RFU ENGLAND RUGBY
BOUGHT BY MANY PET INSURANCE
CHERITON - SO IN LOVE
FAR AFIELD X JOE WOODHOUSE
THE FATHERHOOD INSTITUTE - 6 WEEKS FOR DADS
I am a Director of Photography shooting in London and across the UK. I work in commercial and narrative video content production for creative agencies, brands, musicians and corporates.
I have experience as a DOP in lighting and filming TVC’s, commercials, branded content and also work with musicians on promotional films and music videos. I come from a background in photography and continue to shoot still images. My experience in lighting and composition informs my motion work, as does my unquenching thirst for beautiful light and evocative images that serve a story and the Director’s vision.
Finding practical, creative and budget-friendly solutions to the challenges on set is just one of the joys of filmmaking but often one of the most important qualities that I take pride in and always strive to develop.
In life and on set I really value spending time with and learning from others of all backgrounds, race and gender. Having a diverse team around me serves to enhance everyone’s experience, offers a different point of view and increases human connection, empathy and respect.
Every project I am fortunate enough to work on I always feel so lucky. What a way to spend your time working in a field that is so immersive and exciting. I wouldn’t get up in the middle of the night for a 15-hour day doing anything else.
I am currently expanding my work in fiction and am looking to talk with Directors and Producers who are developing drama projects.
As of November 2022, post-production wrapped on the independent short Call Me Back. The film stars Lindsay Duncan (Birdman, About Time, A Discovery of Witches), with support from Sophia Myles (Tristan & Isolde, Transformers, Age of Extinction), and voiceover from Jim Broadbent.
Call Me Back has officially been selected for the 2023 North East International Film Festival, Sheffield Global Cinema Festival, 2024 Manchester International Film Festival, Unrestricted View and Kino London Short Film Festival. The film was also a Semi-finalist at the 2023 Flickers Rhode Island International Film Festival and received an Honorable Mention from Brighton Rocks Film Festival.
Synopsis.
The subtlety of memory and grief is studied in this heartfelt exploration of a bereaved older woman. Grace (Lindsay Duncan), returns home from the funeral of her husband, George (Jim Broadbent), accompanied by her daughter, Lucy (Sophia Myles). Mother and daughter clash, leading Grace to attempt to mourn in isolation.
Confronted by memories of happier times, she begins the process of cleansing the house - and herself - of the medical paraphernalia of the sick man she nursed. Ignoring phone calls from her daughter, she chaotically extends the purge of George’s earthly manifestations beyond what she can bear. Faced with her error, she has a choice to make – to either continue on her destructive path or reach out to her daughter for help.
I’ve worked on projects for...
Virtual Production.
I have lit and shot projects with Final Pixel, Treehouse Digital, Prox & Reverie and The BBC utilising virtual production LED volume technology, as popularised by The Mandalorian. I am building a strong understanding of blending the Unreal Engine VP with the physical set environment.
Testimonials.
"Since I started shooting commercial films in the UK for Left, Adam has been an incredible asset both in terms of his imagery and his attitude and working style on set and off. Ever-dependable, ready to find solutions, and always putting your picture first. He's versatile, and whether on a big project or small his easy-going personality makes working with him a pleasure. I recommend him highly!"
"Adam is a rare breed and has very swiftly become my go to DP. His attention to detail and creative eye have become an essential part of my own creative process and his involvement only elevates the projects we are lucky enough to work on. Above this though, he is genuine and incredibly passionate about his craft, something that has a massive impact both on myself and the wider team. This man will continue to grow and will inevitably achieve incredible things."
"Adam Prosser is a thoroughly lovely chap to work with. His mild-mannered proficiency provides a calm professionalism which imbues any set he works on with a real sense that you're in safe hands. His lighting is consistently beautiful and thoughtfully created. On the most recent 5 day shoot we worked on together we had the luxury of a Prelight, and as a result, the lighting changes were minimal, and efficiently planned and executed. His approach is considered and his demeanor is adorably polite. He very much lives up to the HOD responsibility of helping create a vibe on set which is welcoming for all crew."
“Adam is a total joy to work with-he’s worked with us on a couple of projects and each time has given it everything and made it the best it can be. He has great contacts and suggestions for how to ensure a smooth running production. From supporting with pre-prod, attending recces and going the extra mile throughout, Adam adds huge value. All this on top of being an excellent DOP. Looking forward to the next project!”
Millie Graham-Campbell - Head Of Production